So I'm now a SAG actor. And I haven't done anything for a couple of years. My career, the career that meant so much to me 40 years ago, and which I still cling on to as though it gives me some kind of credibility, rather than being a mediocre failure of a man, as I sometimes think, feels further away than it's done in years. I don't feel I'm really involved in the arts anything like I was once upon a time, and it's kinda hard.
I'm entering a new artistic phase, I know. My recent trip to India and SE Asia has opened something up for me. I feel inspired. I feel I've been on a really wonderful Artist's Way trip for my soul. It's definitely made me feel more alive, and I guess that can translate into what I do artistically.
I'd like to do theatre, too. What's interesting is how I feel so trapped by financial ties. Acting is so much easier when you're wealthy, because you quite simply don't need the work. Doing it because you want to is really the place of power all performers need.
So getting my performance itch scratched is important, I think. If I can perform, even though I'm not being paid, or perform in a different arena, then I'm that much closer to the acting work.
I know I have something to say. And that really is the key. Whether a person is a comedian or a straight actor or an artist or a film maker, having something to say is so important. You can't have appeal unless you have something to offer.
I think I have to do stand up comedy. That really is what I need to do. It's difficult, because the humiliation factor is enormous. But oddly it's an area where I think I've mastered humiliation. I can take it. I like it. It makes me reset the bar.
I guess I just have to write a good stage act. Then get on with it.
I'm entering a new artistic phase, I know. My recent trip to India and SE Asia has opened something up for me. I feel inspired. I feel I've been on a really wonderful Artist's Way trip for my soul. It's definitely made me feel more alive, and I guess that can translate into what I do artistically.
I'd like to do theatre, too. What's interesting is how I feel so trapped by financial ties. Acting is so much easier when you're wealthy, because you quite simply don't need the work. Doing it because you want to is really the place of power all performers need.
So getting my performance itch scratched is important, I think. If I can perform, even though I'm not being paid, or perform in a different arena, then I'm that much closer to the acting work.
I know I have something to say. And that really is the key. Whether a person is a comedian or a straight actor or an artist or a film maker, having something to say is so important. You can't have appeal unless you have something to offer.
I think I have to do stand up comedy. That really is what I need to do. It's difficult, because the humiliation factor is enormous. But oddly it's an area where I think I've mastered humiliation. I can take it. I like it. It makes me reset the bar.
I guess I just have to write a good stage act. Then get on with it.
